I have no idea where and when I got this but it is the 2000Ad annual from 1978, the year after 2000ad started. It is a pretty hefty offering and features no less than 21 different stories or features. Generous indeed! It still looks great for something nearly 40 years old!
Something from a sci fi special…
I have absolutely no idea who did this all I know is that it is from a Sci Fi summer special and alas I don’t have many of those to trawl through to try and find out but I do rather love the simplicity and the characters. It always reminded me of the ‘Ant Hill Mob’ in whacky races, you know the ones they were the gangsters that drove around in the ‘Roaring Plenty’.
I don’t even know where I got it from you know, maybe it was Ebay or maybe from a Con somewhere. Either way I rather like it especially because it has the lettering on the acetate overlay.
Some of P.J. Holden’s work. Fab stuff indeed.
A great collection written by Neil Gibson
A piece from London Super Comic Con in 2013.
One of the real joys of the cons I visit is the thrill of one of your favourite artists being there and fingers crossed, getting them to do you a drawing. Back in 2013 I picked this piece up at London super comic convention, drawn by Mike Collins. I am a huge Rogue Trooper fan (and must show you my tattoo to prove it at some point).
Best known these days as a storyboard artist for TV (Doctor Who, Sherlock, Knightfall, Good Omens), Mike Collins has a thirty-year track record as a comic artist and writer, including producing a critically acclaimed adaptation of Dickens’ A Christmas Carol. He has worked on all the major Marvel and DC characters, including Spider-Man, X-Men, Superman, Batman and Wonder Woman. He also draws a series of graphic novels based on the adventures of Varg Veum, Gunnar Staalesen’s iconic Norwegian private eye.
Quite often you can just stand there and watch them draw which is so very cool. I think this piece cost me £35 and took him quite some time. Certainly wasn’t a quick scribble.
Rob WIlliams, Smudge, D’Israeli and Rufus Dayglo
One of my favourite characters in 2000AD is Dirty Frank. He’s an undercover judge with some serious mental health issues and an absolute bloody hoot. I fell in love with D’Israeli’s artwork a couple of years ago and really cannot get enough of it. It is jarring and somewhat unconventional and a real pleasure to behold. I love the black and white stuff and the writing in ‘Living the Low Life’ is as funny as hell. Well worth picking up.
D’Israeli actually did a drawing for me when I met him at a con a few years ago and I have been meaning to get it turned into a tattoo for a while now. Really must get that done. I should try find it…
Colin MacNeil and John Wagner. Buy it, read it. It is bloody awesome.
I was reminded of this by something on Twitter this morning and have been rereading it. One hell of a story by John Wagner beautifully illustrated and bloody hell so on the money given what is going on in America right now.
I am not trying to bash the US, I grew up in South Africa loving all things America, so it saddens me to see what is going on now.
Don’t say you weren’t warned though okay…just saying.
A print I picked up in Camden a few years ago
From London Super Comic Con in 2013
Mike Collins did this piece for me in London in 2013. Mike was a thoroughly pleasant chap and has a fabulous body of work including Dredd (which I will show you another time), Slaine, Rogue Trooper, Spiderman, Batman, Doctor Who, Transformers, Superman.
Rogue is a genetically engineered super soldier and one of the defining characters in 2000AD. Just last week it was announced that Duncan Jones will be directing a new ROgue film. I will admit to having pissed a little upon hearing the news. At least now it might be easier to explain who Rogue is when they see my Rogue Trooper tattoo. You know I don’t think I’ve shown you that one yet have I. Must get round to it.
Bryan Talbot’s quite wonderful graphic novel exploring the links between Lewis Carroll and the Sunderland area.
Classic 2000Ad 2nd of October 1995
D’Israeli and Ian Edginton
I am a big fan of black and white comics and artwork. Now I know they may feel a little old school and on the surface may not quite pack the punch of one of your full colour efforts but I think there is an intensity about them then I feel rather appealing.
Today I am sharing ‘Stickleback’ with you. This is what Wikipedia has to say about it.
Stickleback is the eponymous title character of a steampunk comic series created by Ian Edginton and D’Israeli appearing in UK comics anthology 2000 AD. Described by his author as a “bad guy,” Stickleback is cast initially as a Moriarty-type figure, “The Pope of Crime[, who] secretly presides over the criminal fraternity of a fantastical, grotesque, Gormenghast-style old London town
Written by Ian Edginton and drawn by D’Israeli I find it compelling stuff and was lucky enough to meet both of them at a con a few years ago. Ian was so gracious with his time and willingness to discuss his work and the process whilst I had a hoot picking D’Israeli’s brain trying to understand why it was that I enjoyed black and white art so much as I don’t really get art particularly. I can’t express an appreciation for it but I do so love it. There is something about the main character, shown in the photos, that really creeps me out and I love that.
They both signed my copy of the ‘Number of the beast’ collection and I have another collection somewhere else but cannot seem to find it.
D’Israeli even drew a picture of ‘Dirty Frank’ for me which I will dig out which I intend to turn into my next tattoo. Thoroughly fabulous chaps indeed.
By Colin Macneil from Judge Dredd Megazine #201-#213 2003
At some point in the late 1980’s I seem to have encountered the comic ‘CRISIS’. I don’t quite remember exactly when but I do remember it being something very different to 2000AD despite it being written and drawn by mostly the same pool of people.
I shall steal from Wikipedia I think…
Crisis was Fleetway’s response to the success of Deadline. David Bishop, in his Thrill Power Overload, comments “2000 AD had once represented the cutting edge of British comics, but was now in danger of looking staid and old fashioned next to Deadline”.
Conceived by editor Steve MacManus, Crisis would offer to make the work creator-owned, which might lead to the chance for royalties and greater copyright control, which was a departure from the way they had done business up until then. They also planned to turn the stories into American comic books which would sell better on the other side of the Atlantic, although ultimately only the first few titles got this treatment and the title moved to shorter stories after issue #14.
It was political and edgy, I recall a burning church at some point and there were people trying to save the planet and blowing things up. That is what I recall at least. I managed to buy most of them off of ebay in recent years and even now it remains an abrasive read at times but I did so enjoy it even though I didn’t really know what was going on sometimes. I have some of the artwork somewhere too which I should dig out really. Maybe next time.
Worth a read if you can pick up old copies if only to enjoy some of the Ezquerra artwork or Mills writing.
Something I wont let the kids get their hands on. They’re not worth much but I like them.
I have a curious collection of 2000Ad stuff and this is one of the pieces I keep squirrelled away and I hadn’t actually seen for years. Reaction came out with a set of figures for 2000ad many years ago – probably early 2000’s and I picked them up.
This is one of the limited edition Judge Death characters which I ordered which I am yet to see anywhere else. It was a limited run of 2000 and I might have number one I might ot. I am uncertain how they numbered them but if mine is the first then that makes it even cooler. There was a different limited run for a long haired Judge Anderson which was numbered sequentially so that gives me hope that this might be kind of unique.
The series featured (and I will show you the rest another time):
- Judge Death
- Judge Death Spirit Variant
- Johnny Alpha
- Slaine Warped Variant
- Durham Red
Hey, if you like comics and comic art then this is the post for you.
8th of June 1991. Carlos Ezquerra at his most beautiful!
I posted this a while back on my separate 2000ad blog but as it got destroyed I thought I would share it again.
Of all my art pieces this is by far my most precious and adored. An actual Carlos Ezquerra painting from the ‘Return of the king’ story by Garth Ennis published in 1991. I picked it up online and the minute I saw it I had to have it. It cost me a pretty penny but I think it was a real bargain and I actually went to a place in London to pick it up. It features Dredd plus all four of the dark Judges: Death, Fear, Fire and Mortis. Only a piece from Necropolis or Apocalypse war might top it but it would have to go some way…
Damn it’s gorgeous!
I wish I knew what it was from.
I bought this piece some years ago for not a lot, and I used to know what it was from but for the life of me I cannot recall. Its a shame because it is one of my favourite pieces. I have a lot of black and white art and I seem rather drawn to it. I do not know much about art and space and aspect and such but there is something about the white bits that are left blank as much as the bits that are filled in. I look at the piece and cant quite decide which I love more – the bit the artist has done or the bit he has left.
All very confusing but I do know that I rather like it even if I have no idea who did it.
I am no historian of 2000AD. Yes I have them all, in boxes all over the house, and I love them dearly but I am no expert on the matter. I simply enjoy reading them and the way they make me feel and the artwork and the wonderful stories and the places that they take me.
There are few stories that sum up 2000AD for me more than this one. Necropolis. I remember it so clearly from when I was younger and I think it is where I developed my love of the artwork of Carlos Ezquerra. The way he painted Dredd and the dark judges thrills me now still and the story…oh god the story was amazing. For me pipped by the “Apocalypse war” but only just. Perhaps that’s because Apocalypse resonates more with me because I grew up in the eighties and the idea of Russia vs the west was so prevalent.
Seeing Mega-City one in flames was insane and the dark judges were terrifying and there was a real desperation as the story unfolded over 26 weeks. Curiously though Dredd never appeared for the first dozen or so.
The photos are from the graphic novel collection, and I’ve posted a few pages and I was going to write more but I think I am actually going to go red it for a bit. Just enjoy Carlos’ work…
Revisiting this as it got messed up by the WordPress shenanigans a while back…
Hard to take a photo of this but there you go, this is my other Dredd Tattoo which sits at the back of my left arm just below the elbow. I can then show it to people when they ask whether my Dredd is in fact Magneto. I can understand why I guess, think its the helmet.
It took about 4 hours as I recall, despite it having nowhere near the detail of the my larger Dredd one. All part of the larger collage I will likely complete one day. Might get another next year thinking about it…
From LSCC 2013 I think it was…
Ive met a few 2000ad artists at con’s over the last few years and one of the nicest chaps was Gary Erskine. He has done Dredd, Dan Dare, Flesh and other pieces for 2000AD and tons of stuff for other comic houses and also did a brilliant set of digital Star Wars pieces which I have prints of somewhere. He was really engaging and happy to talk for ages as he drew and did the Dredd you see below. It was great to see him do it from scratch, and he took such care – producing first a sketch and then doing the final piece from that. I asked him if I could also have the sketch which he reluctantly agreed to (being a thoroughly fabulous chap) despite not wanting to as he didn’t like the idea of something so rough being out there. I am glad he did though because I think the two pieces side by side look amazing.
If you like a good read you should take a look at his Roller Grrrls stuff. Pretty cool and something he was so passionate about.
Revisiting this as it got messed up by the WordPress shenanigans a while back…
I think you know I love Judge Dredd by now, and a couple of years ago I decided to add to my tattoos with a Judge Dredd piece. I don’t quite recall how this piece was selected exactly but the cover of megazine 302 was just so brilliant and it was one that really struck me with the wonderful character of Dredds face and the Artist that did my piece, Lee Reynolds, really took to it.
The artwork was done by Simon Bisley and Glenn Fabry for the 20th anniversary edition of the megazine. This is the original.
I actually think I have one Simon Bisley piece of artwork tucked away somewhere but I’m not currently lucky enough to own a Glenn Fabry piece but it’s on my list of things to buy. Glenn Fabry’s Slaine work is particularly gorgeous and I’m pretty sure something that I will be covering in a future blog.
It took about 5 hours to do as I recall and the worst thing about it was not the pain of the needle but rather having to sit there lying forward with my left arm extended behind me for that amount of time.
I actually rather enjoy the pain and it certainly take your mind off everything when you’re sat there for that amount of time and in a weird sort of way it’s a quite fabulous way to relax and get away from everything else that might be on your mind.
Certainly well worth the time and money and a piece I just absolutely love. I have 2 other 2000AD pieces I will show you another time.