I have no idea where and when I got this but it is the 2000Ad annual from 1978, the year after 2000ad started. It is a pretty hefty offering and features no less than 21 different stories or features. Generous indeed! It still looks great for something nearly 40 years old!
Carlos Ezquerra passed away today and it is a sad day indeed. Whilst many have drawn Dredd it was Carlos’ work that was so instantly recognisable and held me captive from such a young age. Carlos brought Dredd to life and so much of what we now know and love about Dredd and the Mega Cities was of his making.
Beyond Dredd there is his work on Strontium dog and others. He really was one of the greatest comic book artists ever and his work has always meant such a lot to me and delights me every time I see it.
I remember going to a con a few years ago just to see him and was gutted when he couldn’t get there because of air traffic controllers somewhere or other and when I eventually got my hands on a piece of his work it was like all my Christmas’ rolled into one.
Below is one that I have shared before that really shows just how amazing an artist he was and by all accounts he was a pretty top bloke too.
A piece from London Super Comic Con in 2013.
One of the real joys of the cons I visit is the thrill of one of your favourite artists being there and fingers crossed, getting them to do you a drawing. Back in 2013 I picked this piece up at London super comic convention, drawn by Mike Collins. I am a huge Rogue Trooper fan (and must show you my tattoo to prove it at some point).
Best known these days as a storyboard artist for TV (Doctor Who, Sherlock, Knightfall, Good Omens), Mike Collins has a thirty-year track record as a comic artist and writer, including producing a critically acclaimed adaptation of Dickens’ A Christmas Carol. He has worked on all the major Marvel and DC characters, including Spider-Man, X-Men, Superman, Batman and Wonder Woman. He also draws a series of graphic novels based on the adventures of Varg Veum, Gunnar Staalesen’s iconic Norwegian private eye.
Quite often you can just stand there and watch them draw which is so very cool. I think this piece cost me £35 and took him quite some time. Certainly wasn’t a quick scribble.
Rob WIlliams, Smudge, D’Israeli and Rufus Dayglo
One of my favourite characters in 2000AD is Dirty Frank. He’s an undercover judge with some serious mental health issues and an absolute bloody hoot. I fell in love with D’Israeli’s artwork a couple of years ago and really cannot get enough of it. It is jarring and somewhat unconventional and a real pleasure to behold. I love the black and white stuff and the writing in ‘Living the Low Life’ is as funny as hell. Well worth picking up.
D’Israeli actually did a drawing for me when I met him at a con a few years ago and I have been meaning to get it turned into a tattoo for a while now. Really must get that done. I should try find it…
Colin MacNeil and John Wagner. Buy it, read it. It is bloody awesome.
I was reminded of this by something on Twitter this morning and have been rereading it. One hell of a story by John Wagner beautifully illustrated and bloody hell so on the money given what is going on in America right now.
I am not trying to bash the US, I grew up in South Africa loving all things America, so it saddens me to see what is going on now.
Don’t say you weren’t warned though okay…just saying.
A print I picked up in Camden a few years ago
From London Super Comic Con in 2013
Mike Collins did this piece for me in London in 2013. Mike was a thoroughly pleasant chap and has a fabulous body of work including Dredd (which I will show you another time), Slaine, Rogue Trooper, Spiderman, Batman, Doctor Who, Transformers, Superman.
Rogue is a genetically engineered super soldier and one of the defining characters in 2000AD. Just last week it was announced that Duncan Jones will be directing a new ROgue film. I will admit to having pissed a little upon hearing the news. At least now it might be easier to explain who Rogue is when they see my Rogue Trooper tattoo. You know I don’t think I’ve shown you that one yet have I. Must get round to it.
Classic 2000Ad 2nd of October 1995
By Colin Macneil from Judge Dredd Megazine #201-#213 2003
Something I wont let the kids get their hands on. They’re not worth much but I like them.
I have a curious collection of 2000Ad stuff and this is one of the pieces I keep squirrelled away and I hadn’t actually seen for years. Reaction came out with a set of figures for 2000ad many years ago – probably early 2000’s and I picked them up.
This is one of the limited edition Judge Death characters which I ordered which I am yet to see anywhere else. It was a limited run of 2000 and I might have number one I might ot. I am uncertain how they numbered them but if mine is the first then that makes it even cooler. There was a different limited run for a long haired Judge Anderson which was numbered sequentially so that gives me hope that this might be kind of unique.
The series featured (and I will show you the rest another time):
- Judge Death
- Judge Death Spirit Variant
- Johnny Alpha
- Slaine Warped Variant
- Durham Red
8th of June 1991. Carlos Ezquerra at his most beautiful!
I posted this a while back on my separate 2000ad blog but as it got destroyed I thought I would share it again.
Of all my art pieces this is by far my most precious and adored. An actual Carlos Ezquerra painting from the ‘Return of the king’ story by Garth Ennis published in 1991. I picked it up online and the minute I saw it I had to have it. It cost me a pretty penny but I think it was a real bargain and I actually went to a place in London to pick it up. It features Dredd plus all four of the dark Judges: Death, Fear, Fire and Mortis. Only a piece from Necropolis or Apocalypse war might top it but it would have to go some way…
Damn it’s gorgeous!
I wish I knew what it was from.
I bought this piece some years ago for not a lot, and I used to know what it was from but for the life of me I cannot recall. Its a shame because it is one of my favourite pieces. I have a lot of black and white art and I seem rather drawn to it. I do not know much about art and space and aspect and such but there is something about the white bits that are left blank as much as the bits that are filled in. I look at the piece and cant quite decide which I love more – the bit the artist has done or the bit he has left.
All very confusing but I do know that I rather like it even if I have no idea who did it.
I am no historian of 2000AD. Yes I have them all, in boxes all over the house, and I love them dearly but I am no expert on the matter. I simply enjoy reading them and the way they make me feel and the artwork and the wonderful stories and the places that they take me.
There are few stories that sum up 2000AD for me more than this one. Necropolis. I remember it so clearly from when I was younger and I think it is where I developed my love of the artwork of Carlos Ezquerra. The way he painted Dredd and the dark judges thrills me now still and the story…oh god the story was amazing. For me pipped by the “Apocalypse war” but only just. Perhaps that’s because Apocalypse resonates more with me because I grew up in the eighties and the idea of Russia vs the west was so prevalent.
Seeing Mega-City one in flames was insane and the dark judges were terrifying and there was a real desperation as the story unfolded over 26 weeks. Curiously though Dredd never appeared for the first dozen or so.
The photos are from the graphic novel collection, and I’ve posted a few pages and I was going to write more but I think I am actually going to go red it for a bit. Just enjoy Carlos’ work…
Revisiting this as it got messed up by the WordPress shenanigans a while back…
Hard to take a photo of this but there you go, this is my other Dredd Tattoo which sits at the back of my left arm just below the elbow. I can then show it to people when they ask whether my Dredd is in fact Magneto. I can understand why I guess, think its the helmet.
It took about 4 hours as I recall, despite it having nowhere near the detail of the my larger Dredd one. All part of the larger collage I will likely complete one day. Might get another next year thinking about it…
From LSCC 2013 I think it was…
Ive met a few 2000ad artists at con’s over the last few years and one of the nicest chaps was Gary Erskine. He has done Dredd, Dan Dare, Flesh and other pieces for 2000AD and tons of stuff for other comic houses and also did a brilliant set of digital Star Wars pieces which I have prints of somewhere. He was really engaging and happy to talk for ages as he drew and did the Dredd you see below. It was great to see him do it from scratch, and he took such care – producing first a sketch and then doing the final piece from that. I asked him if I could also have the sketch which he reluctantly agreed to (being a thoroughly fabulous chap) despite not wanting to as he didn’t like the idea of something so rough being out there. I am glad he did though because I think the two pieces side by side look amazing.
If you like a good read you should take a look at his Roller Grrrls stuff. Pretty cool and something he was so passionate about.
Revisiting this as it got messed up by the WordPress shenanigans a while back…
I think you know I love Judge Dredd by now, and a couple of years ago I decided to add to my tattoos with a Judge Dredd piece. I don’t quite recall how this piece was selected exactly but the cover of megazine 302 was just so brilliant and it was one that really struck me with the wonderful character of Dredds face and the Artist that did my piece, Lee Reynolds, really took to it.
The artwork was done by Simon Bisley and Glenn Fabry for the 20th anniversary edition of the megazine. This is the original.
I actually think I have one Simon Bisley piece of artwork tucked away somewhere but I’m not currently lucky enough to own a Glenn Fabry piece but it’s on my list of things to buy. Glenn Fabry’s Slaine work is particularly gorgeous and I’m pretty sure something that I will be covering in a future blog.
It took about 5 hours to do as I recall and the worst thing about it was not the pain of the needle but rather having to sit there lying forward with my left arm extended behind me for that amount of time.
I actually rather enjoy the pain and it certainly take your mind off everything when you’re sat there for that amount of time and in a weird sort of way it’s a quite fabulous way to relax and get away from everything else that might be on your mind.
Certainly well worth the time and money and a piece I just absolutely love. I have 2 other 2000AD pieces I will show you another time.
From Prog 434 7th September 1985
I have been very excited about this for a number of reasons. I buy a lot of my comic art from eBay and over the weekend was perusing the site when I saw a 2000AD comic script. I had never seen one of these before so was excited by the piece (well pieces there were two but you only get to see one today).
Within moments my pulse was racing as I realised just what it was. Not only was it a script from a story that I remember from 1985 but it was the script from a Prog that I read so many times and was THE most memorable one from my childhood. I remember reading this prog over and over and loving the two gangs featured – the Zits and the Sharks. The art work is amazing and the story was brilliant – a musical!
Well I just had to have and a quick bid and it was all mine.
The story is that the seller’s brother went to school with Alan Grant’s daughter or son and I believe it because the other script is signed by Alan Grant and John Wagner and I have both of their signatures on stuff from a Con a few years ago. All checks out and to be honest it didn’t cost enough to be worth creating a forgery.
Anyway, if this is your thing check it out. Me and my youngest had a read of it tonight – me on the script and him on the comic and it was almost exactly the same.
Okay, so this one matter s for a number of reasons. Prog ten was the first ever multi part Dredd story and importantly was the first where John Wagner and Carlos Ezquerra worked together. Their work would become some of the finest to fill the pages of 2000ad and Robot wars was a sign of things to come. Inside is a wonderful double page Dan Dare spread. The cover was drawn by the unmistakable Carlos Ezquerra (I will show you my Ezquerra piece another time) and inside you will also find the following:
- Dan Dare by Kelvin Gosnell and Massimo Bellardinelli
- M.A.C.H.1 by pat mills and Enio
- Judge Dredd by John Wagner and Carlos Ezquerra
- Invasion by Gerry Finley Day and Eric Bradbury
- Flesh by Studio Giolitti and Ramon Sola
- A Tharg 2000AD vehicle testing thingy
- Harlem Heroes by Tom Tully and- Dave Gibbons
- On the back is the Flesh Card Game cut out
A freaking amazing prog!
Charlie Adlard is probably best known these days for his work on ‘The Walking Dead’. He draws a lot of the current stuff but he has also done stuff for 2000Ad in the past and this is one of those pieces.
Its from ‘Them Masque of Dante’ story and is a signed piece that has the acetate lettering overlay as well as what I think is a note from the editor indicating where to put some of the lettering.
It shows you how the lettering can be added and is obviously different from the one I posted a few days ago here
where the lettering is cut out and pasted on. Here you can just lift it off.
I have more comic art work than I have walls, and I do not have nearly enough of it framed and on display and the piece below really should be hanging on the wall somewhere.
This is a piece by Massimo Belardinelli who’s most notable 2000AD work was surely ACE TRUCKING CO. He did do some Dredd, Flesh, Slaine and others but the space haulage comedy was one of the strips from my youth that I still remember with fondness. I love this piece especially because of the lettering. I will show you how they do acetate lettering another time but in this one if you look closely you can see how the lettering has been cut out and glued on afterwards.
Love it love it love it.
Just because I thought it was cool. that’s why/
There are two Dredd films, and I actually love them both. Yes the first is awful for many reasons but seeing Dredd on screen still thrills me. Karl Urban’s Dredd was more to the liking of most than Stallone’s and I agree – that was a fabulous film. I don’t plan to go into all that though. what I wanted to show you was a schematic for a corridor.
More specifically a design sketch for a corridor in the Karl Urban Dredd film.
I just thought it was cool so I bought it…
I wrote about the banned Ronald McDonald storyline here, well here is another fantastic colour double spread from the story printed in Prog 71. A thing of real beauty drawn by Mike McMahon and written by pat Mills.
I’ll tell you about the time I met Mike another time, but he is a thoroughly pleasant chap.